Alone Street brings together two major bodies of work by Gregory Crewdson Cathedral of the Pines Aperture 2016 and An Eclipse of Moths Aperture 2020 in a single elegant and affordable monograph. Both series expand on the artists obsessive exploration of the psychogeography of smalltown postindustrial New England and underscore the precision and depth of Crewdsons unique mode of photographic storytelling. In each image light color and carefully crafted scenography evoke the feeling that as art historian Alexander Nemerov has astutely described all that ever happened in these places seems crystallized in his tableaux as if the quiet melancholy of Crewdsons scenes gathered the unruly sorrows and other littleguessed feelings of people longgone who once stood on those spots. In addition to the full set of images from each series Alone Street presents a selection of behindthescenes images and storyboards revealing the extensive preparation and planning that went into the making of each work.